Art · People · Heritage
What is Durlav
We are an art house in spirit: acquisition, provenance, valuation, conservation, insight, and succession, held in one place, with specialists beside the collector.
Read more →What we preserve
A handful of families with traditions worth carrying forward. These are the forms Durlav chooses to stand behind.
01
Ahmedabad / Sabarmati, Gujarat
Ritual textile, portable shrine
Translated to “Behind the Mother Goddess.” Traditionally cotton painted and block-printed in iron-black and alizarin red; historically used as a backdrop and canopy for worship. GI-tagged, 2023.
Read more →02
Bassi, Chittorgarh, Rajasthan
Painted wooden mobile shrine
portable wooden shrine used to narrate Hindu religious and historical stories. Traditionally carried by a community Kavadia bhat who travelled from village to village, opening the shrine’s painted panels and telling stories to audiences.
Read more →03
Shahpura / Bhilwara, Rajasthan
Narrative scroll; portable temple
A traditionally painted scroll that depicts the life and heroic deeds of the folk deity Pabuji. traditionally performed by Bhopas, who sing and narrate the story while unfolding the scroll at night.
Read more →04
Mathura–Vrindavan, Braj, Uttar Pradesh
Paper stencil and dusk rangoli
Sanjhi is a delicate stencil art form in which intricate designs are hand-cut into paper to create finely detailed patterns. The stencils are then used to form symmetrical and ornamental compositions, often inspired by nature, mythology, and devotional themes.
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Collector Circle
Collector Circle is not a waitlist. It is a private circle for previews, notes from the field, gatherings, and first access when the platform opens.
Why it matters
The journey is split across dealers, authenticators, conservators, archives, and heirs. Durlav brings this fragmented journey under one roof.
01
Source with context, not urgency.
02
Establish what a work is, and what it is not.
03
Provenance, materials, and the story, kept together.
04
Legal, physical, and environmental preservation.
05
Conservation as a practice, not an emergency.
06
History, region, and the hands that made it.
07
When a work moves, its record moves with it.
08
Stewardship that outlives the collector.
Coming soon